More about the books in this bundle:
Jas M. Morgan’s nîtisânak honours blood and chosen kin with equal care. A groundbreaking memoir spanning nations, prairie punk scenes, and queer love stories, it is woven around grief over the loss of their mother. It also explores despair and healing through community and family, and being torn apart by the same. Using cyclical narrative techniques and drawing on their Cree, Saulteaux, and Métis ancestral teachings, this work offers a compelling perspective on the connections that must be broken and the ones that heal.
FIERCE FEMMES AND NOTORIOUS LIARS
Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir is the highly sensational, ultra-exciting, sort-of true, coming-of-age story of a young Asian trans girl, pathological liar, and kung-fu expert who runs away from her parents’ abusive home in a rainy city called Gloom. Striking off on her own, she finds her true family in a group of larger-than-life trans femmes who make their home in a mysterious pleasure district known only as the Street of Miracles.
Under the wings of this fierce and fabulous flock, she blossoms into the woman she has always dreamed of being, with a little help from the unscrupulous Doctor Crocodile. When one of their number is brutally murdered, our protagonist joins her sisters in forming a vigilante gang to fight back against the transphobes, violent johns, and cops that stalk the Street of Miracles. But when things go terribly wrong, she must find the truth within herself in order to stop the violence and discover what it really means to grow up and find your family.
In poet Grace Kwan’s debut, they are ruthless and nimble, guiding us through the recesses of body and roadside space. The reader tours the motel through this multiverse narrative, from amenities to rooms to back alleys, through the generations of ghosts and queer love stories, until they are left alone with the heart at the centre. The Sacred Heart Motel is a disorienting, startling collection about placelessness and longing.
A young gymnast crushes on an older, more talented teammate while contending with her overworked mother. A newly queer twenty-something juggles two intimate relationships—with a slippery anarchist lover and an idiosyncratic meals-on-wheels recipient. A queer metal band’s summer tour unravels amid the sticky heat of the Northeastern US. A codependent listicle writer becomes obsessed with a Japanese ASMR channel.
The stories in Personal Attention Roleplay are propelled by queer loneliness, mixed-race confusion, late capitalist despondency, and the pitfalls of intimacy. Taking place in Montreal, Toronto, and elsewhere, they feature young Asian misfits struggling with the desire to see themselves reflected—in their surroundings, in others, online. Chau Bradley’s precise language and investigation of our more troubling motivations stand out in this wryly funny debut, through stories that hint at the uncanny while remaining grounded in the everyday.
“What was beyond doubt by the time I got back was that a new Transfixion had arrived in the form of Hermia Druitt, the woman in this photograph. This was confirmed by the sensations: flashes from Arcadia. Moonlight, of a kind, sighed up and down the tube of my spine, but above all, that indescribable note which accompanied all my Transfixions was present: humming beneath the high fine rush—probably not dissimilar to holy rapture—was an almost violent familiarity. The feeling of not only recognising, but of having been recognised.
A new Transfixion.”
Shola von Reinhold’s lavish debut novel lays bare, through ornate, layered prose, the gaps and faultlines in the archive. Through obsessive research on an overlooked Black modernist poet, the narrator buckles under the vacuousness of the art world and also curates a queer historical scene, breaking it open and reveling in it. The novel was originally published in the UK by Jacaranda Books Art Music Ltd. as part of the Twenty in 2020 Black British writers series.
